It is a nice experience to walk the same path under changing light conditions at daily distance. In winter there is not much botanically happening, only the snow can be more or less – or the fog. The possibilities of imaging with a camera essentially change with the extent of the available light. A sunny day shows a maximum of available light.
Does sunlight make a picture atmospheric ? With cloudy skies or even some fog, the conditions for background and foreground change substantially and pictures without sunlight can be be very varied and gain a special depth of expression.
The above image shows: shadows during a day with a blue sky are blue, too.
The detection of expressive light situations without a tripod and without HDR technology requires a limited amount of light that the sensor can still process with out blown-out lights or drown depths.
On my own I’ve been twice to Yosemite Valley and once with Harold to Yosemite National Park. This valley is small and a dream of light and nature for visual artists. I’ve never been able to see this little patch of earth with realistic eyes. I wasn’t really serious about that either.
Before I fly to the ambitious conference „Out of Yosemite“ tomorrow, I’d like to review some older images.
Already my first visit began with a surprise. Just arrived, the hotel wanted to send me back immediately in December 2016, as the electricity had failed and there was no heating. After a short back and forth I was allowed to stay and the heating went on again at 10 o’clock in the evening.
Internet connectivity was terrible. No images could be uploaded for those who stayed at home. I really don’t expect it to be different this time. The following images might give a foretaste of what awaits us.
Many spots are known to photographers all over the world. This time I have the chance to meet experienced photographers that share their knowledge. Harold is one of the instructors.
When leaving Yosemite Valley, before the road hits Pohono bridge at the entrance, there is a spot called Valley View, which in fact looks back where the glaciers came from long ago.
During construction time of the road up to Glacier Point the road workers had a storage area for construction equipment, located in front of a tunnel. This is why the spot is also called Tunnel View. It is a parking lot today. The image I took was honored in Flickr in Explore. A nice view is also some steps above the tunnel !
Our last day should be sunny. It started foggy with the rising sun. Landscape photography gets painterly without much processing efforts.
Some kilometers further in Aidenried we explored our well known landing stage. Attracted by an impressive reflection of the Marienmünster in Dießen I made two compositions. The first contains just the central part of the second image.
Before leaving this spot the second image contains a more outlined cross composition. Both images remind of colored old engravings.
After a walk along the newly piled up dam it became afternoon and the light more reddish. From the landing stage of Seehaus Riederau we could see the Alps at the horizon.
It had become very late last night and my tiredness did not let me think clearly. I also didn’t know what happened after I went to bed. It could easily have been the end of a human being.
With the warm morning sunlight from the left the winter fields of Alling in December were wonderful to look at. With my senses clouded, I thought the moon would rise. It took me a long time to figure out he was going down.