After 2 years of FaceTime and telephone conversations we see each other again, friends from Lucerne and us. Meeting point halfway between our two residences, near Hinterzarten near the Feldberg and Titisee. After more than 30 years of friendship, the time of hard separation due to borders and infection management had also been painful now and then.
With photography, we have approached in a new way, each with its own approach. With Monald the wildlife and landscape photography, with me the stars, the landscape, the portrait or macro photography. This weekend we used the few hours in the morning and evening for the countryside around the Feldberg, never letting ourselves be stopped by rain or marshland.
The picture at the beaver dam got an explore on Flickr.
At sunrise we placed ourselves with a view of the Titisee just below the Feldberg. Sunrise and fog alternated in rapid succession. Only for breakfast at 9 o’clock we were back in time at the hotel.
The trip to Todtnauer Hütte was longer than expected. Unfortunately, we did not find the hoped-for fog in the valley. There were plenty of autumn trees for this, the sun early behind the clouds.
The Hexenlochmühle had been located by a lake in my memory. Totally wrong. Two large mill wheels are driven by water and the water of the mill stream flows into the Wutach.
My friend’s strong wish was an evening image of the Rhine valley at sunset. Above St. Mägen near Turner we found a parking lot and some meadows with a splendid view down.
The sunset plunged our spot into a red light that became more and more intense. The sun was slightly dazzled and diffused by clouds. Many people came to our parking lot, which is obviously well known to the locals.
The nights in Ticino and now in Mürren were starry. The winter constellation of Orion is near sunrise in the south, which allows a “late” rising. This morning I was able to capture Orion with the red color of its nebula in the center of the dagger. So dark was it on the local helicopter landing site of Mürren. Somewhat to the left of the top of the Jungfrau one could see a faint zodiacal light.
With the first cable car to the Schilthorn I started at 7:40 am in Mürren. Unfortunately, as a tourist I couldn’t go up earlier. On the terrace of the mountain station there were two cardboard figures with shooting irons in hand, which appeared to me on the pictures of the webcam as strangely motionless guests. The temperature at 0 degrees Celsius was not friendly for the hands, so I was mostly alone on the platform.
How do you photograph mountains ? At distant mountains the colour disappears into a dull blue, which is why I prefer black and white in these cases. Then a gripping dynamic may develop that draws you into the image.
The technical side of a cable car has always fascinated me. A cable car is a workplace for drivers, technicians, engineers and many others. The first ride in the morning is a cheerful encounter of these people, who have known each other for along time and take turns doing some work on the machines. That’s why we were allowed to listen to music for the morning gymnastics during the drive uphill.
In fact, the construction of a mountain station on the Schilthorn before it became the location for the 4th James Bond movie starring George Lazenby was certainly controversial and economically questionable. After the movie, everything was clear. Today you can admire many scenes and their making of on a separate floor, as well as 10 minutes of impressive films about the local landscape and the film.
It was only while processing the images that I noticed the many airplane tracks in the sky that had not been there for so long.
The mountain range of Eiger (left), Mönch and Jungfrau also looks better in black-and-white technique. The imminent change of the weather is already clearly visible on the image.
The peace in Mürren is almost intrusive. It is not disturbed by traffic noise. Only the occasional buzzing of the cable cars is reminiscent of normal life. The starry sky is great because at night very few lamps illuminate the village.
Autumn is already more advanced in Central Switzerland thanin Ticino. Temperatures in the shade are well below 10 degrees Celsius. The sun has a lot of power at 1600m, you can easily sweat when walking.
While searching for a location for my tripod slowly upwards, I meet individual hikers or groups of two. The large groups take the cable car to the summit and do not appear on the hiking trails. Surprisingly many fly into the valley by paragliding.
My hotel 1900 (Novecento) in Muralto was rebuilt by the new owners 20 years ago. Breakfast organic and with vegan spreads, a lightness of being. The house has a nice garden, where tea is served with freshly harvested sage. The only thing they didn’t consider was the Internet. Therefore, my blog or video communication was hardly to think about.
On the last day I wanted to photograph the birch forests near Brione. The parking lot the day before was so crowded that I had no chance to park the car safely. Arriving at half past ten o’clock there were no problems. Even a tree was allowed to provide shade.
You only have to search a bit to find an exit to the banks of the river Verzasca. You’re not the first to try. If you make it, you will be rewarded by the photographic options with magnificent water between diverse and colourful boulders.
The selfie has many variations. A variant shows the pride of the photographer on location. Or a shadow selfie.
The rocks in the water change their color with the daylight and the water color they reflect. This makes these objects interesting and varied photo motifs. Once you find a hungry shark, who has already taken one or the other photographers. Or in the shadow, a white stone that looks almost metallic.
I couldn’t reproduce the delicate colorfulness of an autumn birch forest, the distance over the river was too great for that. The sun was still too high, it vanished far too soon behind a ridge, and the valley lay in the shade. Maybe you can still guess early autumn.
In the morning it is very cold in the Verzasca valley. Two hours earlier on site than the day before saved me the search for a parking lot. Two photographers were just at their last pictures. Again, I was relatively late.
First the rocks of Lavertezzo with the church, then the many puddles in the rocks with their reflections.
After many photographic attempts to gain momentum from the waterfall, I took one last picture in which I look at it flowing down into the valley. Note the sun’s rays in the tree on the left, as the clouds slowly move away.
The bright house near Motta had already noticed me the day before. As good as it is preserved and as beautiful as it stands, it might be a holiday home.
Waterfalls can be seen everywhere, in some places several waterfalls from different directions converge into a large one.
The valley of the Verzasca is famous for its clear water, which makes its way through rocks and takes on a characteristic green colour. Correspondingly, many people are attracted to it. Actually, you’re here for hiking. The Postbus stops at manyplaces and spits out large groups of hikers.
The first day I wanted to try out different locations to see what to expect.
The bridge, named Ponte dei salti, with the two arches is from Roman times and is good for many selfies. With a long-term exposure one can see the arcuate construction with its reflection in the water. And the many visitors who flock on the bridge are miraculously invisible.
Swirling water can be found everywhere, in a natural way picturesque photographs are created.
To my surprise, the sun was seen and felt in the valley for along time. It got really hot. Only in the evening, when the rocks gave off their heat, did it become less agitated.
The cross-country trip to Lucerne with a 20-year-old navigation system took me along many country roads, which used to be the only connection to this city. It’s hard to imagine how the traffic might have moved then. That’s why the system guided me down from the motorway through beautiful Swiss landscapes.
A little tired I arrived in Lucerne and went to sleep. Just in time for sunset I made a tour through the old town to Lake Lucerne, on which wonderful sailboats were on the way.
Two weeks ago I went to Lake Constance for business reasons. At 7 o’clock in the morning I could see a red sun rising in the fog between trees. That’s why I made a stopover at Lake Constance to take pictures there in the evening and in the morning.
The morning drive two weeks ago might have made you think of ghosts and of course there is literature on this subject from the area. The evening when I arrived was wonderfully sunny and fogless. By car I made an “ascent” to Hohenklinge Castle in Stein am Rhein, to see the valley from above. The view reminded me of a Renaissance painting.
There is no repetition for the landscape photographer. The natural light will never be like that again when you go back to a place. Where the sun was supposed to rise it was not foggy. It was cloudy. From here the Upper Rhine begins.
Early in the morning, all of a sudden, two women drifted in the river. The two of them wished me from below a “good morning. ”
Here in Stein am Rhein ends Lake Constance, which lies between the High Rhine and the Upper Rhine. Before sunrise you could see some discoloration of the sky, along with very little ground fog.
Two more days on the island. I had secretly speculated before the start of the trip to be able to make interesting longtime exposures of the sea. We went to the sea once very early and often late at night. On Friday, the 13th, the weather was particularly stormy. I felt that half a second exposure time was the optimal value to capture the dynamics of the sea’s motion and at the same time to get structure.
Many of the photographs I took with the quadrupeds, which were laid out as a coastal protection near Hörnum. Depending on the time of day and the weather, they are a fantastic backdrop. This image was taken early in the morning short after sunrise.
At the time of the highest water level during the flood, these concrete blocks almost disappear underneath the water surface. The next image is a combination of different exposure values to express the power of the incoming tide.
Without wind, the sea is so calm at low tide that you don’t want to imply anything violent to it anymore. To capture the calm of the low tide water I needed 30s of exposure time. However, the Moon would become blurred at that value. So I combined two shots into one picture.
Weather change is associated with stronger wind and light changes. This situation is often felt on the island in a rather pleasant way.