A short trip for recreation in Bavaria led us to a completely sunny Bad Tölz at the Isar river. That way I also increased my knowledge of local geography. With a long time exposure, taken without a filter, only with a large aperture and low ISO, some assembled pebbles on the ground instead of a tripod, I wanted to capture the wave play of river Isar.
It was only in our hotel on the computer that the resulting structure became more interesting and clear to me. For Christa the image shows picturesque brush strokes of an oil painting. I can think of the surface structure of the sun which is a fiery dance of magnetic field lines and mass distributions of hydrogen.
In the evening a long sunset glowed for us in Königsdorf. The rotational planes of sun, moon and earth are quite close and in a few days we expect a partial lunar eclipse.
The light takes 8 minutes from the sun to the earth. Due to atmosphere it remains visible to us longer than the sun itself.
It had become very late last night and my tiredness did not let me think clearly. I also didn’t know what happened after I went to bed. It could easily have been the end of a human being.
With the warm morning sunlight from the left the winter fields of Alling in December were wonderful to look at. With my senses clouded, I thought the moon would rise. It took me a long time to figure out he was going down.
Today was a day of dense work and many technical problems. The day before I had made some flower arrangements for Christmas from my preferred flower dealer. A technician took me some X-rays so I could study the exposure values when my wirk was finished.
The following two I liked most.
The vase on the right side seems to hover over the ground.
A friend handed me out some snail shells that he had in mind for a long time to lend me. Eventually, he found 5 beautiful shells when cleaning up the basement.
The effect of the images depends strongly on the post-processing. Some of the results may not be combined in one presentation.
Here I show three images of them as dark jewels with an intrinsic undefinable light. Maybe, we are thousand miles below sea level.
Fusion imaging works with a light box. Without, too. It depends on your subject. The light images were taken with a Leica Q, pointing just in the same direction as the X-rays from below of the X-ray tube. The resolution and technology is completely sufficient for the color use.
I designed a new composition, which should allow me to have different positions of the shells in space. The surrounding snail shells serve as supports.
I wanted to take the yellow, quit radiopaque snail shell from above. So I had to rearrange the snail shells once more.
When looking at my flickr stream you may find other representations in the preceding neighborhood of this image.
This X-ray fusion image is untrue. No time during working hours to take the photograph. So I made a photo this morning at home. There are so many snail shells glued on the sphere that it is basically not noticeable if the rotation does not match exactly.
Here is my result:
The underlying structure in an image of visible light looks like this:
Today’s fun was the X-ray of a sphere of snail shells, which I found as decoration in my sister-in-law’s house. It was immediately clear to me that the spherical structure of the glued snail shells would become a great X-ray image.
The original X-ray version with a black background is dark and strong. The whole thing looks like a picture of a virus. Nobody would ever think that it was a polystyrene sphere to which snail shells had been glued.
In the inverted version, the object comes to the fore much more as an independent unit. A flu virus ? A plant seed ?
Good weather is now over. The days are getting dull. With a light haze in the sky, the sun runs a little deeper than yesterday. It gets dark noticeably earlier.
Another photographer had the same thought, to spend this day in the castle garden of Schwetzingen. And the same vision to shoot the Japanese white bridge over a pond with nice reflections.
It has become autumn and the reflections in the ponds of the castle garden unfold a greater charm.
The rest of the park is already prepared for the winter and seems inhospitable to the photographic eye.
Harold says: 9 out of ten attempts fail. That’s a good consolation. What happened ?
A company and I could not agree on the fee for an annual calendar 2020. I liked the selection of the proposed pictures, consisting of flower macros and fusion images with X-ray. „Don’t call us, we call you !“
I’m not a merchant and I don’t live on sales. But how many have to listen to such sentences every day.
With a little help from my elder daughter I did the calendar on my own.
Every time the moon wanes and an ever narrower crescent becomes visible, we enjoy the sight of an almost perfect circular disk with a narrowly illuminated edge. Due to the nearby elevations of the Kraichgau around the Königstuhl, the moon rises here in Rohrbach later as the announcements of the observation programs indicate. Yesterday, short after 6 o’clock in the morning I obtained the following image, drunk with sleep, no tripod, camera settings still correct for Japan, and an empty battery. Some of the treetops of the pine forest are faintly illuminated and can be seen directly under the moon.
The photographic repetition the next morning with an even narrower crescent moon spurred my ambition on. The visibility should start about 50 minutes later. After the end of daylight saving time at three o’clock in the morning it was almost the same time on the clock as the day before.
If it hadn’t been for the clouds ! No moon visible at all. The clouds divided the world into three parts with visible stars and darkness of the night still over the city: dark earth, blazing sky, and the perceptible vastness of the universe.
On the return flight I remembered the many Japanese drawings and paintings. During my stay I had taken extra pictures of pine branches in the hope that I would be able to achieve a painterly effect by post-processing them. I set to work with my laptop. The first image should be a pine branch of the Rengeo-In shrine in Kyoto.
I felt encouraged to try more, although operating the laptop on the plane was sometimes a bit difficult. The next try should be an image of the Golden Shrine Kinkaku-Ji in Kyoto.
The coloring of the picture is decisive for the success of this illusion. The colors of the Japanese paintings I have in mind are rather not saturated and the contrasts are raised more. With the photograph of an art installation in the port of Takamatsu I could still achieve a little of this illusion.
We met the first signs of autumn in Nikko.