• Landscape,  Long time exposure,  Motion Blur

    Painted waves at Kampen, Sylt

    Looking at waves captivates us just as much as looking at an open fire. Digital photography provides us with very short shutter speeds or exposure times static, better: frozen images of the ups and downs of water movements.

    There are no creative limits when trying to extend exposure times (or shutter speeds) instead of further shortening them, at most technical ones. Longer exposure times merge several moments of water movement and thus paradoxically have a dynamic effect, meaning a look and feel of a movement.

    There is no right or wrong exposure time. There is a special impression for each exposure time in the fusion image of several moments.

    The proof of the pudding is in the eating. By experimenting with a neutral density filter of 10 EV I managed to get at a not too long exposure time of 1/4s to 1/3s making waves look like painted. With only economical digital post-processing worth seeing images were created.

  • General

    Cape Perpetua

    We went up to Cape Perpetua before our breakfast. I’d been there before after the eclipse in 2017 with Christa and friends. That year the sky was full of smoke.

    Today the sun was shielded by some haze coming from the Pacific Ocean. I wasn’t clear in mind about going there a second time. The impressive view of Heceta Head lighthouse the day before hadn’t left me.

    Black and white gives more meaning and feeling than faded colors. But it’s already long time ago and far, far away.

    Cape perpetua morning haze
    Morning haze at Cape perpetua. Being there a second time my feelings weren’t clear. Although only 2 months from now in the past I feel this morning like long time ago and very far away. © Julian Köpke