Since days with an unsafe walk afflicted after an impact trauma with the head against a sloping roof in a Black Forest hotel last weekend I walk today after the first rain for weeks through our garden. Everything’s shines in rich colors under raindrops.
My first image is an attempt to capture two colors.
Warm and cold colors combined in these heucheria leaves.
Conflowers like stars within two colors.
Backgrounds create a new image impression. Sometimes you need a background to add to the picture some more pizzazz. In these pictures I use the background to simulate a photographic base as I saw it in Karl Blossfeldt’s pictures.
The starting point is always a color image. With a background named „Aged Board“ the color image already shows an attractiveness of its own.
The Black & White conversion enhances the contrast a bit which is why I’m adding a little glow.
From another Heucheria leaf, which shone in a wonderful red, I show here only the black and white conversion with background. This makes the reproduction of its structure much better.
So often I tried to image a Heucheria leaf. It doesn’t seem complicated. With less saturation the impression of a water color image emerges of a single leaf.
Going on with my Blossfeldt studies I need a background for this image. An image with background exerts a special charm. A paper structure fits well.
Only the conversion to black and white comes closer to the impression of a Blossfeldt macro.
Karl Blossfeldt was a German photographer who lived from 1865 to 1932. He didn’t think himself a photographer. With his studies of plant forms he made an enormous contribution to plant photography. Here is a nice wikipedia article about him.
He started to do photograms. Plants or parts of plants were placed directly on film or paper suitable for exposure. Exposure then takes place without any optics. Later he built himself a wooden camera, which reminds me of Andreas Feininger.
Black and white backlit macro images with a background can be similar to Blossfeldt’s images.