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Punta della Dogana
At the beginning of the 19th century, William Turner spent a long time in Venice. I always imagine how he had a gondolier take him out into the lagoon to paint his watercolours in the setting sun’s light.
Nowadays, the lagoon’s islands can be reached by vaporettos, an essential part of local public transport. But you don’t necessarily want to see them in a photo in the blue hour.
This is not the only reason why I decided to take a long exposure shot after sunset on the quay wall of the Santa Maria della Salute church. But also to transform the surface of the water into a colourful surface because the movement of the waves always makes the viewer’s gaze wander back and forth restlessly.
Doge Nicolo Contarini vowed to build the church of Santa Maria della Salute after a plague epidemic in 1630 killed a third of the city’s population. It was inaugurated in 1687, 6 years after his death, and is an attraction of the cityscape.
The lighter blue of the lagoon literally illuminates the deep blue of the cloudy evening sky. The white walls of the church complex still retain some warmth
I took the picture with 15s, f/16 and ISO 31 as well as an ND filter. This text was created by me as part of the Blue Hour Assignment and edited by Landscape Photography Magazine, where you can find some of my pictures.
Punta della Dogana is at the end of the quay, if you walk to the left of the columns to the end of the Dorsoduro. It is easier to recognise the character of a point or a pinnacle from San Marco. It is where many people gather.
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Bridges
17. Februar 2023 / -
Windows
13. Februar 2023 /Orangerie Schwetzingen castle gardens © Julian KöpkeOrangerie Schwetzingen castle gardens © Julian KöpkeThe old greenhouse at our botanicum in Heidelberg © Julian KöpkeThe old greenhouse at our botanicum in Heidelberg © Julian KöpkeWindow Neuschwanstein © Julian KöpkeWindow Neuschwanstein © Julian KöpkeWindow Rohrbach cemetery © Julian KöpkeWindow Rohrbach cemetery © Julian Köpke -
Entrances
13. Februar 2023 /Kyoto Nijo Castle inner gate © Julian KöpkeKyoto Nijo Castle inner gate © Julian KöpkeEntrance Rijksmuseum Amsterdam © Julian KöpkeEntrance Rijksmuseum Amsterdam © Julian KöpkeEntrance of former venetian town hall of Heraklion © Julian KöpkeEntrance of former venetian town hall of Heraklion © Julian KöpkeLeaving the chapel on Württemberg © Julian KöpkeLeaving the chapel on Württemberg © Julian KöpkePiazza Duomo, Orvieto, at sunrise with clouds and rain © Julian KöpkePiazza Duomo, Orvieto, at sunrise with clouds and rain © Julian KöpkeEntrance historic town hall Osnabrück © Julian KöpkeEntrance historic town hall Osnabrück © Julian KöpkeEnumeration of stones at the archwayEnumeration of stones at the archwayHotel Sully entrance south. Paris.Hotel Sully entrance south. Paris.Kyoto Heian Jingu shrine entrance © Julian KöpkeKyoto Heian Jingu shrine entrance © Julian KöpkeWintertime at Neuschwanstein Castle © Julian KöpkeWintertime at Neuschwanstein Castle © Julian Köpke -
Buildings
13. Februar 2023 /Green roofs © Julian KöpkeGreen roofs © Julian KöpkeMatsuyama Castle © Julian KöpkeMatsuyama Castle © Julian KöpkeOrangery castle gardens Schwetzingen © Julian KöpkeOrangery castle gardens Schwetzingen © Julian KöpkeBarn at IS 5 © Julian KöpkeBarn at IS 5 © Julian KöpkeOperaen Oslo (Opera house) © Julian KöpkeOperaen Oslo (Opera house) © Julian KöpkeCemetery chapel Heidelberg Rohrbach © Julian KöpkeCemetery chapel Heidelberg Rohrbach © Julian KöpkeBlack church at Budir © Julian KöpkeBlack church at Budir © Julian KöpkeKyoto Nijo Castle © Julian KöpkeKyoto Nijo Castle © Julian KöpkeLa tour Vauban Camaret-sur-Mer © Julian KöpkeLa tour Vauban Camaret-sur-Mer © Julian KöpkeLeipzig fair at sunset © Julian KöpkeLeipzig fair at sunset © Julian KöpkeKönigstuhl cable car top station © Julian KöpkeKönigstuhl cable car top station © Julian KöpkeAbandoned farm Skinnalón © Julian KöpkeAbandoned farm Skinnalón © Julian KöpkeBasilique Sacré Coeur de Montmartre, Paris © Julian KöpkeBasilique Sacré Coeur de Montmartre, Paris © Julian KöpkeÉglise St. Etienne du Mont, St. Germain des Prés, Paris; France © Julian KöpkeÉglise St. Etienne du Mont, St. Germain des Prés, Paris; France © Julian KöpkeHotel Sully entrance south. Paris.Hotel Sully entrance south. Paris.Stairwell Samaritaine © Julian KöpkeStairwell Samaritaine © Julian KöpkeLate evening at Operaen, Oslo © Julian KöpkeLate evening at Operaen, Oslo © Julian KöpkeHamburg New Philharmonic Hall © Julian KöpkeHamburg New Philharmonic Hall © Julian Köpke -
Cityscape
13. Februar 2023 /Sunrise in Valletta's harbour with clouds © Julian KöpkeSunrise in Valletta's harbour with clouds © Julian KöpkePonte Vecchio, Florence © Julian KöpkePonte Vecchio, Florence © Julian KöpkePalazzo Communale e Torre del Mangia © Julian KöpkePalazzo Communale e Torre del Mangia © Julian KöpkeEdinburgh Parish Church St. Cuthbert © Julian KöpkeEdinburgh Parish Church St. Cuthbert © Julian KöpkeNightfall over Cathedral of Speyer, distant view with my spotting scope. Every now and then birds were flying through the scene. © Julian KöpkeNightfall over Cathedral of Speyer, distant view with my spotting scope. Every now and then birds were flying through the scene. © Julian KöpkeSunrise in Ikebukuro, Tokyo © Julian KöpkeSunrise in Ikebukuro, Tokyo © Julian KöpkeLe Panthéon at sunrise © Julian KöpkeLe Panthéon at sunrise © Julian KöpkeMorning stroll in Paris XVI © Julian KöpkeMorning stroll in Paris XVI © Julian KöpkeLes toits de ma fenêtre © Julian KöpkeLes toits de ma fenêtre © Julian KöpkeOn our way to San Marco we left sestiere San Marco and entered sestiere Castello crossing Rio de la Fava. „Fava“ means „bean“. © Julian KöpkeOn our way to San Marco we left sestiere San Marco and entered sestiere Castello crossing Rio de la Fava. „Fava“ means „bean“. © Julian KöpkeThe day wakes up at Ponte Scalzi © Julian KöpkeThe day wakes up at Ponte Scalzi © Julian KöpkeWonderful sunny day, a bit of warmth coming up and light winds. How can I portray that feeling of softness surrounding me ? The parish belongs to sestiere Castello, the island belongs to sestiere San Marco. © Julian KöpkeWonderful sunny day, a bit of warmth coming up and light winds. How can I portray that feeling of softness surrounding me ? The parish belongs to sestiere Castello, the island belongs to sestiere San Marco. © Julian Köpke -
Architecture
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Narni
The drive to Narni took us from San Gemini through beautiful landscapes that we did not expect. The overcast sky offered rich variations of composition. With a series of HDR shots, more expressive images can be achieved later. An abandoned house became a harmony of cold colours.
In Narni, it was the old town that interested us first and foremost, with alleys and archways, already devoid of tourists and being prepared for winter.
Famous is the Via del Campanile, which you automatically come across when you ascend the city from the car park.
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Oslo
Our journey to the Land of the Midnight Sun starts in Oslo. The hotel is just a stone’s throw from the harbour. A lot of rain and constantly changing light from more or less dense clouds greet us. Because we don’t want to miss anything, we start our first tour right after arrival, despite a certain tiredness.
The first building that caught our eyes is the opera. Built with Carrara marble is white.
A sculpture in the middle of the harbor attracted me. It took me some moments to see the resemblance to a painting of Caspar David Friedrich („Eismeer“).
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Fragile in Amsterdam
A lot of things are falling apart these days. We feel how fragile we are. How do you show fragility in a picture ?
Entering the Rijksmuseum in Amsterdam, a new, modern entrance area has been created. Light and shadow in rapid succession through concrete door arches.
The arches are unadorned, yet the eye clings to them. Despite – or due to ? – the simple concept, every perspective offers a new impression.
A still life painting (not „life style“) may be irritating by its compositional elements, like objects at the edge of a table top. Just these elements evokes a feeling of fragility. The next image is a photograph I made in the museum without tripod as indicated. The painting by Willem Claeszoon Heda was about 1635. It is a Vanitas theme, 13 years before the end of a 80 years long war in Netherlands, the end coinciding with the 30 years long war in Germany 1648.