• flowers,  Macro,  Monochrome

    Darkroom studio

    The darkroom was the centre of analogue photography. In a darkroom were created the copies of a picture on photo paper, which had been planned when shooting with camera and film.
    The “digital darkroom” is in a way the continuation of the darkroom from analogue times. Nowadays, the role of the film is taken over by the RAW image. The development of the film was linked to chemistry, intentional light and shadow effects and fine feeling. Each print was unique.
    The “digital development” or postprocessing is non-destructive, repeatable and delivers a result, which at least theoretically can be printed as often as desired. In the digital workflow no print is unique anymore.

    With a dark background and systematic shading of daylight, my photo studio became a darkroom where could photograph flowers. Exposure times became longer, almost like a long-term exposure at night outside. The saturation of the colors came out surprisingly strong.

    Anthuria on black © Julian Köpke
    Red gerbera and fern © Julian Köpke

    The creation of a floating cloud with the help of white tulle did not require shading to achieve the effect of a darkroom. As my friend Lorenz mentioned, looking closer you can see nice interference patterns (Newtonian rings). I’m happy with this image idea: the image got two days later a Flickr in explore.

    White cloudy glow of a piece of fabric © Julian Köpke

    The soft variations of light and shadow fit well to a soft vetch.

    Vetch on white fabric © Julian Köpke
    Vetch and white fabric © Julian Köpke
  • Background,  flowers,  Heidelberg,  Macro

    Heidelberg Castle, flowers and flypaper textures

    Heidelberg Castle is a landmark. In winter its red color becomes softer. For one winter Frederick V. became king with his home in this castle. After that, Germany sank into the 30 Years War. The castle had been ruined already by fire a couple of years before.

    Winter Castle of the Winter King © Julian Köpke

    The delicacy and dreaminess of a photo is not always the result of intensive digital processing. The ranuncula of the following image hardly needed editing. You can feel it. With a tripod and a 85mm Lensbaby velvet at f/16 I shot this image with really delicate color.

    Ranuncula © Julian Köpke

    The lavish feast is over. Paradise is no more. The king went into exile. We’re staying.

    The roaring party is over © Julian Köpke
  • flowers,  Lightbox,  Macro

    Callas and pink fern leave

    For a short time the winter kept us still. Nature offers many motifs, the effect of which depends on the time of the day.

    Disturbing scene of ice formations (skull) © Julian Köpke
    Arbre japonais © Julian Köpke

    Shortly after, the snow has said goodbye to us. Still very, very cold cloudless nights, more and more often glorious sunny days let you catch your breath.

    Quarry at Schauenburg ruin Dossenheim © Julian Köpke
    Early spring sun throws light on pampas grass © Julian Köpke

    Yesterday I came across Calla lilies and rosé-fixed fern at the florists’s. „Expensive“, she told me. But I was already determined wether the many possibilities I had in mind.

    Through a chemical process, the fern has received a fixation and new color. That would make it durable for many compositions ….

    Pink fern leave © Julian Köpke
    Red callas in a white vase © Julian Köpke

    The next day, I combined the callas and the fern to a single composition. With a background the image looks soft and dreamy. This texture puts a kind of patina over the image.

    Red callas and rosé fixed fern © Julian Köpke
    Red callas and rosé fixed fern II © Julian Köpke
  • flowers,  Lightbox,  Macro,  Texture

    Alstromeria

    With daylight and a lightbox I took the cut off flower of an Alstromeria. With the lens I’m able to approach the bloom on approximately 20 cm. The blossom then fills almost the entire sensory. The ratio of the mapping is thus approximately 1:1. 

    The quality of the RAW images is convincing in itself. The creation of the finished HDR takes place in a combination of manual and automated steps.

    RAW conversion is done using CaptureOne, HDR processing is done manually in Photoshop. Further, I generated two automated HDR developments using HDR Efex Pro 2 and Photomatix Pro 6 and layered them in. Some of the original color is transferred from the daylight image with the lightbox switched off.

    Alstromeria (Peruvian lily) © Julian Köpke
  • flowers,  Lightbox,  Macro

    RAW stocks

    A small stock of raw footage is always lying on my laptop. My florist had been able to give us a few flowers, some of which were sacrificed after a couple of days on my lightbox. These days in a hospital I benefit while the healing remains to be seen.

    Poppy blossom on a lightbox © Julian Köpke

    Is it possible to retain the idea of a picture for a long time ? What happens to the colors when you no longer have the originals in front of your eyes ? The blossom of the peonies looked like a living eye staring at me, not necessarily a human, maybe an animal.

    Yellow peonie © Julian Köpke

    The tulip offered a wild confusion of petals. Unfortunately, it was monochrome orange.

    Orange tulip © Julian Köpke

    The amaryllis showed an incredibly intense red. I managed to show the intensity best on a black background than on a white one. I use the inversion of the L-channel in Lab color mode.

    Red amaryllis on a lightbox with a black background © Julian Köpke
    Red amaryllis on a lightbox © Julian Köpke
  • flowers,  Lightbox,  Macro

    Lockdown flower shots

    Our flower shops are sold out or closed. There’s nothing new to buy. Thank God. This allows me to take a closer look a t the seasonal flowers we have at home.

    Photographing a white amaryllis against a white background I found particularly attractive in the last few days. Because it also contains many colors that you can bring out.

    Concerning color a less courageous image is the left one, only shadows and some etheral green from inside the flower. Using Lab color mode and some ideas of my friend Harold Davis this image can get more pizzazz, as shown on the right hand side.

    White amaryllis on lightbox © Julian Köpke
    The colors of a white amaryllis on lightbox © Julian Köpke

    The plant broke off and had to be placed in a vase, but there it developed surprisingly well and even quite symmetrically, giving me the impression of antennas that listen into space because they look similar tho those with which Arno Penzias and Robert Wilson discovered the cosmic background radiation. A lightbox as background is easy to realize with a LED for the ceiling that you can get in any hardware store.

    Floral symmetry with white amaryllis © Julian Köpke

    The blossoming red amaryllis has two sides, so I had the chance to photograph them both. In my eyes, one side resembled a dinosaur’s head and upper neck as it is about reach for food. Loosely based on an Arabic proverb: „If you see the dinosaur’s tongue, don’t think he’s smiling“.

    Budding Amaryllis © Julian Köpke
    Budding Amaryllis © Julian Köpke
  • flowers,  Lightbox,  Macro,  Texture

    Lockdown flowers

    Yesterday was a chance to buy flowers for my lightbox before a new virus induced „lockdown“ takes place. Flowers on a lightbox exhibit an illusion of transparency when photographed either as HighKey image or HDR bracket sequence.

    I prefer to process my bracketed photographs manually, because there is no possibility to learn how automated HDR software really works. On top of my layer stack I put one up to three HDR software results to layer them in if appropriate.

    Yellow gerbera HDR on an lightbox © Julian Köpke

    Photographing flowers is a way to cope with the situation being locked in in a house instead of traveling or meeting friends. Our house looks like a flower store, every now and then we find new compositions. At the end, there is a print.

    Red chrysanthemum and yellow gerbera © Julian Köpke

    A composition of flowers often suggests something, not with the eye, but with the inner vision. That’s the fun of it. There are so many compositions yet undone.

    Bouquet of yellow gerbera © Julian Köpke

    My friend Harold is using petals for compositions. I often shy away from cutting off the flowers or tearing out the petals. I was happy to do it today with a fading dark red rose.

    Red rose petals © Julian Köpke

    Christa, my wife, loves tulips. They may resemble a dream on a lightbox, like balloons taking off for flight. To catch the whole composition I’d either had to climb up a ladder with my 120mm macro lens or change the lens to a 80mm focal length (which I did).

    Dream of tulips on a lightbox © Julian Köpke
  • flowers,  Macro

    Dahlia, my love

    Dahlia, my love. Flowers that make us forget the burden of a moment. Photographed each of them alone and as a pair. I tested HighKey shots instead of HDR, in the background different white tones.

    The result did not leave me alone. Afterwards I wanted to try my hand at photographing a hen’s egg to study shades of different white (basically grey and yellow) tones. Unfortunately this did not happen today due to an emergency examination.

    Red Dahlia II (single shot) © Julian Köpke
    Two Dahlias in a white vase © Julian Köpke

    More flowers to be seen in my Flickr-Album Flowers.

  • flowers,  Lightbox,  Macro,  Monochrome,  Texture

    Farewell

    With flowers we create feelings and express feelings. With flowers we want to elicit feelings. If they aren’t just a comfortable souvenir, that is not suitable for the wall or the shelf.

    Their color is not enough to stimulate our emotions. It’s also their shape and a composition.  I took a friend to my favorite florist to design a bouquet from the available flowers end of September. The central component were two specimens of a cockscomb, one in red and one in purple.

    Celosia or cockscomb © Julian Köpke

    A not insignificant part of the enjoyment is the creation of the composition, together with a sensitive florist. At home I photographed the bouquet with the horizontally aligned, rectangular Lightbox in the background. It’s, of course, an HDR image, combined of shots with the Lightbox switched on and off. A final greeting of the noticeably farewell summer.

    Bouquet with celiosa © Julian Köpke

    Farewell has always been a theme of flowers. Without color, subject only to the effect of light, exposing a feeling for the original color, the black-and-white image of a flower becomes intensified. The same day at sunset, with an exposure speed of 6 minutes at ISO 50, I obtained the following picture, which made me immediately think of The Godfather: I’ll make him an offer he can’t refuse.

    Rose © Julian Köpke
  • flowers,  Lightbox,  Macro

    Gift

    It had take a long time until I had chosen a beautiful floral arrangement and d the florist had bound it presentably. I was just about to complete the purchase when I noticed a wonderful Gladiole.

    „I’ll give it to you for free of charge, it has already fully blossomed“, said the owner. My thanks to her are the following pictures of this flower, which I made with my lightbox in the background.

    Gladiola © Julian Köpke
    Gladiola © Julian Köpke
    Gladiola © Julian Köpke