Julian Köpke

Does the photographer manage to create a feeling with his pictures? To arouse interest ? What feeling do his pictures create ? What does the picture do to the viewer ? More than just: „Oh, someone has pressed the shutter of his camera in a beautiful place !“ ?

The impressions of the country are as changeable as the Irish weather. Time and time again, you see motifs that you would not have expected. They lead to images that you would have placed somewhere else entirely. In the following picture you can of course recognise an Impressionist motif.

I noticed shipwrecks in Galway harbour, which I took as an HDR series and processed in different ways, sometimes in colour and sometimes in black and white. I like the black and white version best, which looks like a photograph from the turn of the 19th and 20th centuries.

The following cloud image loses all reference to Ireland. It could have been taken anywhere. You can recognise a disruption, hard and soft contrasts, an alternation of light and dark clouds, areas with structure and those that look as if they have been painted. Of course, this fits in with Ireland’s changeable weather. The cloud structure in this picture reminds me of interstellar reflection clouds.

Ireland is the marvellous land of hiking opportunities, which we only used in part. We came across many visitors at special attractions such as O’Brien’s Tower above the Cliffs of Moher, most of whom, like us, were certainly not hiking. Integrated in the picture, they look like busy people with a clear goal, which is probably a false impression.

More pictures of Ireland in my Flickr album.

The flight to Ireland from Germany is relatively short. On arrival, you feel as if you’ve crossed a bridge: you’re not far from the start of your journey and yet you’ve arrived somewhere else.

People have passed through garden gates in the course of their lives, but on the Irish island they can give the impression of entering an enchanted world. Not many people visit the gardens that are offered to visitors. This may also be due to the tight schedule of guided tours.

We were travelling on a relaxed schedule, with a reasonable vehicle that was suitable for the terrain and our equipment. Exploratory drives and hikes alternated over the course of the day.

The trees often showed a tendency to be overgrown, which is probably reinforced in the German observer by the fact that we have more industrial forests in our country, with straight trees, rarely with branches. In Ireland, there are families who have dedicated themselves to maintaining their park, which virtually excludes straight-grown trees.

Several times we came across walled gardens that had been developed into attractions. In addition to greenhouses, there were continental elements laid out with almost baroque geometry next to sections of park that appeared almost random.

The coast in the south-west has the surprise of looking like a lakeshore for newcomers, even though the Atlantic and its tides wash around the hotel every day. There are plenty of rocks to see, lobster traps at low tide when you go for a walk. And rapidly rising water at high tide.

The island’s coasts are varied, often rocky. At Kinard Beach, the sea is coloured red by the rocks that have been eroded there over millions of years. When my friend Harold and I arrived at this place, we didn’t know what to expect. There was a mixture of serenity from the sea and the erratic dynamics of the crashing waves, which turned red near the rocks due to the force of erosion.

High cliffs play a role, but they have been converted into tourist attractions, with opening hours, entrance fees and security fences. These can make it difficult for photographers to find a good time and a good location to take pictures.

Why is the island green? Because it rains a lot. Golden rule for visitors: if you don’t like the weather: wait 5 minutes. That’s almost sufficient.

More pictures of Ireland in my Flickr album.

Emotions

Wild Atlantic Coast