It had take a long time until I had chosen a beautiful floral arrangement and d the florist had bound it presentably. I was just about to complete the purchase when I noticed a wonderful Gladiole.
„I’ll give it to you for free of charge, it has already fully blossomed“, said the owner. My thanks to her are the following pictures of this flower, which I made with my lightbox in the background.
Light is subject to permanent change. The transformations of light accompany us always. In the course of the day, we immerse ourselves in the light of various sources and their shaping unnoticed. In a photograph, too, the imperceptible shaping of light is our companion.
The light in a photograph and its impression is shaped or transformed by postproduction. The changeability of the light by postproduction helps an image to its final expression.
What light do we see in our dreams ? What light do we see when pre-visualizing an image ? What light do we see when we get the idea to a photograph ? The latter light we experience like „a flash within a long night“. It is only after the completion of the work that relaxation may take place.
Having learned how to do focus stacking on my PhaseOne camera, I made two series of 20 macro images with a rose on a lightbox, the box switched on and off for the two series. Combining the two light situations made this image possible.
You may find more roses here.
Tulips have become an attraction to me. For a long time I found them extremely boring and meaningless. That has changed over many years. Should I have become older because of that ?
We also have many tulips in our garden. A group of red tulips at the edge of then planted tomato bed is particularly beautiful. But is this beauty also photographicable ?
The beauty in a vase is the epitome of transience. In the meantime, changing light conditions trigger a feeling of tension and happiness in me. This bouquet of tulips has been staying with us for a week now.
With my iPhone I took a shot in our living room. Filter apps help me to get a presentable result.
Today I wanted to try out the same light with the tulips, which spoils my eyes every day with the orchids.
As one can see, our tulips in the living room get already weaker. They are old guys now. Fresh water doesn’t really help. There is no light at the end of the tunnel. How sad is that.
For more than a year I observed a special light condition in our bathroom, where orchids usually lead a more or less varied life. During the last weeks new blossoms showed up. I felt a sense of a gleaming white. Would it be photographable ?
Our lives have fundamentally changed during the last 5 weeks. There is more time now for private life. Fortunately we have a small garden to enjoy the sun. And we talk to friends in video sessions like FaceTime. But still 3 Weeks of quarantine is a challenge.
How wonderfully soft these orchids caress me in their shimmering light ! They shall accompany me through this time.
A print is different from a posted image on a website. The expression of precision and painting in some cases is created in print better through a background. I prefer a print, because a print starts a personal communication with an image.
Inspired by a photography of german photographer Michael Wesely, I tried to superimpose the movements of orange tulips in a white vase to create an equivalent to a longtime exposure image. A longtime exposure with 3 or 4 days exposure time was unfortunately not possible for me. Therefore I took 35 pictures with my camera at irregular intervals dictated by occupational requirements whose pixels were to be averaged. Here 4 examples of the highly active flowers in a vase:
Each RAW image has a file size of 125 MB, after RAW conversion this was 580 MB per image as TIF. The entire stack had a size of 21,5 GB. The image of the average then becomes 580 MB again. The pure mean value image was interesting to me but not exciting. Therefore I took this image and layered in parts of original images. The result became convincing:
Harold says: 9 out of ten attempts fail. That’s a good consolation. What happened ?
A company and I could not agree on the fee for an annual calendar 2020. I liked the selection of the proposed pictures, consisting of flower macros and fusion images with X-ray. „Don’t call us, we call you !“
I’m not a merchant and I don’t live on sales. But how many have to listen to such sentences every day.
With a little help from my elder daughter I did the calendar on my own.
Since days with an unsafe walk afflicted after an impact trauma with the head against a sloping roof in a Black Forest hotel last weekend I walk today after the first rain for weeks through our garden. Everything’s shines in rich colors under raindrops.
My first image is an attempt to capture two colors.
Warm and cold colors combined in these heucheria leaves.
Conflowers like stars within two colors.
Karl Blossfeldt was a German photographer who lived from 1865 to 1932. He didn’t think himself a photographer. With his studies of plant forms he made an enormous contribution to plant photography. Here is a nice wikipedia article about him.
He started to do photograms. Plants or parts of plants were placed directly on film or paper suitable for exposure. Exposure then takes place without any optics. Later he built himself a wooden camera, which reminds me of Andreas Feininger.
Black and white backlit macro images with a background can be similar to Blossfeldt’s images.
Last evening in a special resort. Flowers in every room. A view like on an airplane window seat. Meeting friends from long ago and renewing friendship. Happiness, breathlessness, intense talks, laughter.
Great sunset seen from above Lake Lucerne and Lucerne itself.
Wonderful sunrise in the morning, blue sky and fresh air. Breakfast in the sky. Last conversations. Melancholy of farewell. Final goodbye. The composition resembles a painting of a former family member: Otto Flechtenmacher.
Luxuriant floral decorations everywhere in the lobby. Manual HDR without tripod: works.