With the first cable car to the Schilthorn I started at 7:40 am in Mürren. Unfortunately, as a tourist I couldn’t go up earlier. On the terrace of the mountain station there were two cardboard figures with shooting irons in hand, which appeared to me on the pictures of the webcam as strangely motionless guests. The temperature at 0 degrees Celsius was not friendly for the hands, so I was mostly alone on the platform.
How do you photograph mountains ? At distant mountains the colour disappears into a dull blue, which is why I prefer black and white in these cases. Then a gripping dynamic may develop that draws you into the image.
The technical side of a cable car has always fascinated me. A cable car is a workplace for drivers, technicians, engineers and many others. The first ride in the morning is a cheerful encounter of these people, who have known each other for along time and take turns doing some work on the machines. That’s why we were allowed to listen to music for the morning gymnastics during the drive uphill.
In fact, the construction of a mountain station on the Schilthorn before it became the location for the 4th James Bond movie starring George Lazenby was certainly controversial and economically questionable. After the movie, everything was clear. Today you can admire many scenes and their making of on a separate floor, as well as 10 minutes of impressive films about the local landscape and the film.
It was only while processing the images that I noticed the many airplane tracks in the sky that had not been there for so long.
The mountain range of Eiger (left), Mönch and Jungfrau also looks better in black-and-white technique. The imminent change of the weather is already clearly visible on the image.
Our last day should be sunny. It started foggy with the rising sun. Landscape photography gets painterly without much processing efforts.
Some kilometers further in Aidenried we explored our well known landing stage. Attracted by an impressive reflection of the Marienmünster in Dießen I made two compositions. The first contains just the central part of the second image.
Before leaving this spot the second image contains a more outlined cross composition. Both images remind of colored old engravings.
After a walk along the newly piled up dam it became afternoon and the light more reddish. From the landing stage of Seehaus Riederau we could see the Alps at the horizon.
Is there poetry in a landscape ? Does an image give the impression of poetry ? These questions came up when looking down from the Zugspitze at the Alpine folding.
It was a cold day with with warm rays from the sun. No winds, except at the border to Austria. We were lucky to spend a few hours up there at about 2960m.
This folding was soft and wild at the same time. Is it a solidified sea ? A petrified curtain ? Only the light creates the feelings.