I’ve been experimenting with macro shots or portraits that have a black background. For this I reduce the roomlight with the help of the electric shutters, the exposure time and the ISO value are increased. To improve the quality of the shots, I also used the method of frame averaging to get the RAW image with a single shot and sufficient quality.
Yesterday I was able to admire my friend Harold in a tutorial how he created LowKey HDR macro photographs using an exposure series from -4 EV to 0 EV. I tried all paths today with my Amaryllis, which I had bought 2 days ago.
The exposure series can be performed for LowKey pictures and HighKey pictures. Through the systematic under-exposure one can create a beautiful black background. The use of a surface spotlight creates transparencies with HighKey effect.
The LED lightbox can be placed vertically on the wall. With two clamps you attach the black velvet as a background and loosen the clamp gently to create the HighKey image after switching on the lightbox.
A series of exposures with 5 shots between -4 EV and 0 EV is sufficient to capture the set in high quality.
The darkroom was the centre of analogue photography. In a darkroom were created the copies of a picture on photo paper, which had been planned when shooting with camera and film.
The “digital darkroom” is in a way the continuation of the darkroom from analogue times. Nowadays, the role of the film is taken over by the RAW image. The development of the film was linked to chemistry, intentional light and shadow effects and fine feeling. Each print was unique.
The “digital development” or postprocessing is non-destructive, repeatable and delivers a result, which at least theoretically can be printed as often as desired. In the digital workflow no print is unique anymore.
With a dark background and systematic shading of daylight, my photo studio became a darkroom where I could photograph flowers. Exposure times became longer, almost like a long-term exposure at night outside. The saturation of the colors came out surprisingly strong.
The creation of a floating cloud with the help of white tulle did not require shading to achieve the effect of a darkroom. As my friend Lorenz mentioned, looking closer you can see nice interference patterns (Newtonian rings). I’m happy with this image idea: the image got two days later a Flickr in explore.
The soft variations of light and shadow fit well to a soft vetch.
Heidelberg Castle is a landmark. In winter its red color becomes softer. For one winter Frederick V. became king with his home in this castle. After that, Germany sank into the 30 Years War. The castle had been ruined already by fire a couple of years before.
The delicacy and dreaminess of a photo is not always the result of intensive digital processing. The ranuncula of the following image hardly needed editing. You can feel it. With a tripod and a 85mm Lensbaby velvet at f/16 I shot this image with really delicate color.
The lavish feast is over. Paradise is no more. The king went into exile. We’re staying.
Shades of grey in interaction with light: this is a theme for monochromatic images. For a long time I wanted to photograph an egg against a white background. The idea was stimulated by photos, mostly of people I know personally. Geometric, white-colored bodies from the mathematical collection would also be fun for me. Unfortunately, access is not as easy for me as with an egg.
On the left side the egg is brighter than the background, on the right side it is the other way round. The background itself loses a little brightness from the left to the right, but is brighter than the the egg on the right. The contrast changes. There is no clearly defined shadow for this setup. The same is true in the next photograph.
With the help of a simple light source whose color temperature does not matter after conversion into a black and white image, a soft shadow can be achieved if the source is not point-shaped.
A small stock of raw footage is always lying on my laptop. My florist had been able to give us a few flowers, some of which were sacrificed after a couple of days on my lightbox. These days in a hospital I benefit while the healing remains to be seen.
Is it possible to retain the idea of a picture for a long time ? What happens to the colors when you no longer have the originals in front of your eyes ? The blossom of the peonies looked like a living eye staring at me, not necessarily a human, maybe an animal.
The tulip offered a wild confusion of petals. Unfortunately, it was monochrome orange.
The amaryllis showed an incredibly intense red. I managed to show the intensity best on a black background than on a white one. I use the inversion of the L-channel in Lab color mode.
The last hot summer days are noticeably less hot. Autumn shows up on my rose hips, which are still fed by the water of a vase. Over the course of the days her leaf green became increasingly discolored in autumn. I don’t want to believe it.
An Astilbe has an umbel-shaped inflorescence and therefore consists of countless small blooms. While blooming, its structure is extremely delicate and light. It looks as if spotted in the light that shines through everywhere. An Astilbe seems to be floating. What a delighting gift to get such a plant from my preferred flower dealer.
I had planned to reproduce this impression photographically. The three-dimensional impression of the human eyes is a complete different reality than a two-dimensional photograph. My photographs didn’t seem as delicate and fragile as the original.
The richness of the flower structure better unfolds in image crops. The resolution of my PhaseOne is high enough to have sufficient quality available in a cropped image.
Since days with an unsafe walk afflicted after an impact trauma with the head against a sloping roof in a Black Forest hotel last weekend I walk today after the first rain for weeks through our garden. Everything’s shines in rich colors under raindrops.
My first image is an attempt to capture two colors.
Warm and cold colors combined in these heucheria leaves.
Conflowers like stars within two colors.
Just photograph a rose and show its beauty – how wonderful that would be. Is the light right ? Do false shadows emerge ? Is the structure correctly reproduced ?
Again and again I have to go through our garden and look at the flowers. Yesterday was it again. The sun had just set and the full moon should have decreased a little later.
I tried it with all f-stops the camera and lens gave to me. To my surprise the aperture 32 at ISO 50 with 45s exposure speed was my favorite. Only at the edge the picture had to be darkened and desaturated. Post-processing can be as simple as that.
With my new glasses in my pocket I gazed the nearby market place on Saturday. I was captivated by six red callas whose price I could knock down to 10€ for all of them.
With my Zeiss 50mm Macro lens and no tripod I was trying to get nice shapes late in the evening. The following images have been processed using Lab color to enhance contrast and colors.
Just normal light of our living room let me to a nice coloring and interesting shapes. The blossom next to the lower right corner is a Siamese twin on a double stalk.