Lockdown drives us crazy. Official measures increasingly breathe the spirit of decay. The Age of Enlightenment is over. It is no longer a reasonable reflection that counts or thoughts, that are discussed. Politics behaves more like a war management. The first victim of a war is the truth. That’s more and more disturbing.
This morning I stepped over an enigma. A structure in the roof of our Main Station in Heidelberg. As an image, there are many ways this structure could be thought of: a top-down bowl, a flying saucer – or a light dome. As it was still dark about 6 o’clock the windows appeared in a dark blue, like the adjacent ceiling.
Other perspectives show a content that could be seen as a china plate. I couldn’t stop to photograph this dome.
Longtime exposures made from a train window have a look and feel of their own. Perspective loses its sense. A moment loses its meaning. But these images are inspiring.
How to photograph the feeling of eternity ? Can there really be a feeling of eternity or are we subjected to a deception when we perceive it ? Does time fusion help although a finite process ? The following image was captured with the Slow Shutter app on my cell phone with 8 seconds.
Heidelberg Castle is a landmark. In winter its red color becomes softer. For one winter Frederick V. became king with his home in this castle. After that, Germany sank into the 30 Years War. The castle had been ruined already by fire a couple of years before.
The delicacy and dreaminess of a photo is not always the result of intensive digital processing. The ranuncula of the following image hardly needed editing. You can feel it. With a tripod and a 85mm Lensbaby velvet at f/16 I shot this image with really delicate color.
The lavish feast is over. Paradise is no more. The king went into exile. We’re staying.
It is a nice experience to walk the same path under changing light conditions at daily distance. In winter there is not much botanically happening, only the snow can be more or less – or the fog. The possibilities of imaging with a camera essentially change with the extent of the available light. A sunny day shows a maximum of available light.
Does sunlight make a picture atmospheric ? With cloudy skies or even some fog, the conditions for background and foreground change substantially and pictures without sunlight can be be very varied and gain a special depth of expression.
The above image shows: shadows during a day with a blue sky are blue, too.
The detection of expressive light situations without a tripod and without HDR technology requires a limited amount of light that the sensor can still process with out blown-out lights or drown depths.
This year we spent 5 weeks of our holiday involuntarily in Heidelberg. with the light of a late winter afternoon just before the winter solstice and some mist in the air, dreamlike impressions arise. We didn’t have to cover a long distance. In the hills above the town there is a plateau within walking distance with a farm, commemorative cemetery and a forest all around. Had it not been tor the photo equipment, we would have really been on foot up the mountain.
Going closer to the fence that surrounds the dairy cattle, you will see straight into the foggy valley. No roofs, no industry, no highway, no noise. Just a wooden house in the forest like in a fairy tale. The colors blur into a monochrome something.
Perhabs we feel invited to sit by a bench in the woods. When the seat is dry really ….
At the end of the short walk we step on a Tori, which in the backlight shows us the lightness of Japanese beauty.It is probably to be assigned to the Heidelberg twin town Kumamoto on the southern most Japanese island Kyushu.
The sun is setting in the west. The Moon moves east and setting in the west, too. If one compares the position of the Moon relative to the prominent planets Saturn and Jupiter, because they appear close to each other, it is no longer below the two, but to the east next to them.
Temporarily there was much less haze today, so that the earthlight (in german: aschfahles Mondlicht) of the moon in the right hand image is very well visible. Yesterday you could only guess. With the spotting scope the crescent moon shows up well detailed.
The spotting scope allows to photograph the two planets Saturn and Jupiter with a full frame camera in a single field of view at lowest magnification (x30, which is about 800mm focal length). The structure of the planets ist better outlined with short exposure times (see insets), the Galilean moons of Jupiter need a longer one.
We are the end of a year with unexpected restrictions and new dangers. A walk with friends out in the forest with their dog with a lot of distance between them feels uncomfortable. Time puts its stamp on you wether you want it or not. The feeling of an unstoppable acceleration is spreading.
There is a well where the dog finds some fresh water. Behind the well broken stones and an old tree.
There are less and less leaves on the trees, so that the forest becomes more and more monotous. A few trees and bushes still have yellow, green and even some red leaves. These splashes of colors are are transformed by deliberate camera movement into areas of color and luminous islands that cheer up.
The Old Bridge in Heidelberg has the same attraction to visitors as the Charles Bridge in Prague or th Bridge to the Castel Sant’Angelo in Rome. Not everyone that the connective building between the two white towers houses an apartment. You come to the bridge early in the morning, you’re almost alone. This lonelyness is especially emphasized by a single walker.
The morning calm is reinforced by the fog. Even the car traffic is not so loud as usual. Maybe the noise will decrease even more with electric cars. That would do us good. The view form the bridge downstream shows ships tied up on the shore. Only a few rowers are on the river with trainers whose voices hardly penetrate.
The castle exercises the rule over the city. The strong contrast of the castle ruins over the roofs off the Old Town on the river bank is attenuated by the morning mist.
the Heidelberg Castle is world-famous and famous for the romantic feelings it triggers. Anyone who comes to the city in spring or early summer enjoys a mild warmth and a light wind that flows through the Neckar Valley.
In autumn, the winds that hits the photographer is icy cold and the facial masks that you have recently at hand are a welcome support in taking pictures. The warm colors of the following photographs deceive one of them.
The warmth of the Neckar gives rise to considerable early mist during a cold night, which stretches over the trees to the south and west. The mists also reach the Heidelberg Castle, which subsequently appears a little more romantic and ruined.