• Fusion imaging,  Texture,  X-Ray

    Calendar 2021

    This year there was a complete silence on the part of the equipment manufacturers. That’s too bad. Now the calendar sheets 2021 are finished in own production. This year at the suggestion of or daughter Marlies with the topic food.

    Fusion imaging does not wirk int the same way with food as with transparent flowers. But the deep structure of the food nevertheless leads to interesting results. It worked surprisingly well to depict a smoked trout with its bones. And squashes exhibit nearly artistic features.

    Trout X-ray fusion photo © Julian Köpke
    Black swan: pumpkins and fir cones X-ray photo © Julian Köpke

    The calendar sheets are finished now in portrait format 60cm x 42.6cm and can be viewed here.

  • Fusion imaging,  X-Ray

    New X-ray fusion photo compositions

    New year, new ideas. A superbe bowl of fruits inspired me to do more X-ray fusion photography today. I got a bundle of bananas, lots of lychees, two pears, figs, an apple and a pomegranate.

    I changed my technique a bit. There is no chance to get a transparent banana image using a photo. But mixing the colors of the photo with the X-ray is also a fusion image. To my opinion, the bananas came out lovely, especially the color of the trunk.

    Fusion X-ray photo of bananas © Julian Köpke

    I like stills. They often come with a fruit bowl. My first attempt was a fruit bowl without lychees. The structure of an orange or a pomegranate is known to me from earlier X-ray studies. And I liked the grain of the wooden bowl.

    The following fusion image is resulting:

    Fruit bowl X-ray fusion photo © Julian Köpke

    This is the first time I tried to x-ray lychees. I piled them up in my wooden bowl. That way it was a bit less complicated to transport them for photography. They shouldn’t move at all between X-ray and photography session. I was lucky.

    X-ray fusion photo of lychees in a wooden bowl © Julian Köpke

    Combining lychees, bananas, a pear and two figs in a fusion image yields a color explosion in the fusion image.

    X-ray fusion photo of lychees and fruit in a wooden bowl © Julian Köpke

    Last but not least an X-ray fusion photo of all fruit. Color explosion by means of Lab color. The dark blue at the image edges  is a good counterweight to the intense yellow of the pears and bananas.

    Fruit X-ray fusion photo © Julian Köpke

    See also my FAQ section to learn more about fusion imaging with X-ray and photography.

  • Fusion imaging,  X-Ray

    Snail shells X-ray fusion photos

    A friend handed me out some snail shells that he had in mind for a long time to lend me. Eventually, he found 5 beautiful shells when cleaning up the basement.

    The effect of the images depends strongly on the post-processing. Some of the results may not be combined in one presentation.

    Here I show three images of them as dark jewels with an intrinsic undefinable light. Maybe, we are thousand miles below sea level.

    X-ray fusion photo snail shells composition II © Julian Köpke

    Fusion imaging works with a light box. Without, too. It depends on your subject. The light images were taken with a Leica Q, pointing just in the same direction as the X-rays from below of the X-ray tube. The resolution and technology is completely sufficient for the color use.

    I designed a new composition, which should allow me to have different positions of the shells in space. The surrounding snail shells serve as supports.

    X-ray fusion photo snail shells composition III © Julian Köpke

    I wanted to take the yellow, quit radiopaque snail shell from above. So I had to rearrange the snail shells once more.

    When looking at my flickr stream you may find other representations in the preceding neighborhood of this image.

    X-ray fusion photo snail shells composition IV © Julian Köpke
  • Fusion imaging,  X-Ray

    X-ray fusion photo of a sphere of snail shells

    This X-ray fusion image is untrue. No time during working hours to take the photograph. So I made a photo this morning at home. There are so many snail shells glued on the sphere that it is basically not noticeable if the rotation does not match exactly.

    Here is my result:

    X-ray fusion photo of a sphere of snail shells © Julian Köpke

    The underlying structure in an image of visible light looks like this:

    Sphere of snail shells © Julian Köpke
  • flowers,  Fusion imaging,  Lightbox,  X-Ray

    Calendar 2020

    Harold says: 9 out of ten attempts fail. That’s a good consolation. What happened ?

    A company and I could not agree on the fee for an annual calendar 2020. I liked the selection of the proposed pictures, consisting of flower macros and fusion images with X-ray. „Don’t call us, we call you !“

    I’m not a merchant and I don’t live on sales. But how many have to listen to such sentences every day.

    With a little help from my elder daughter I did the calendar on my own.

  • Fusion imaging,  X-Ray

    Spider conch X-ray fusion photo

    A friend gave me a shell of a spider conch to make more fusion images. The scientific name of the spider conch is lambis lambis and it is a sea snail. There is a nice Wikipedia article on it.

    The hard shell with a lot of radiopaque lime made me doubt the success of my X-rays. On top, my first attempt at a HighKey image wasn’t really convincing. Only the combination of a normal photography for the color, a HighKey image for a transparency effect together with the X-ray image resulted in nice image.

    Fusion image spider conch X-ray and photo seen from the bottom © Julian Köpke
    Fusion image spider conch (lambis lambis) X-ray and photo seen from above © Julian Köpke

    The X-ray image appear less lively, but full of formal power. The orientation of the animal is conveyed by the photographically reproduced color. There are only minimal hints wich orientation the X-ray has.

    These are the corresponding X-ray images:

    Spider conch (lambis lambis) © Julian Köpke
    Spider conch (lambis lambis) © Julian Köpke
  • flowers,  Fusion imaging,  Lightbox,  X-Ray

    Orchid X-ray fusion photo

    It feels like very long ago. Harold and I were taking the shots and X-rays of new compositions last week of  April this year. Our first try was an orchid with two stems. The transparency effect is very much augmented using an X-ray. A stem behind petals doesn’t show easily in HDR light box photography.

    With a Phase One camera at my disposal a strong crop of the composition shows the tenderness of our orchid much better. With a resolution still sufficient.

    Orchid fusion X-ray photo © Julian Köpke
  • Fusion imaging,  Lightbox,  X-Ray

    Spring and X-ray fusion photos

    First flowers in spring show up. With much support from my colleagues I’m able to do some fusion images. We all would like to have another calendar.

    Preparing the lightbox, the X-ray machines, my camera and picking out the data is a bunch of hassle.

    My personal favorite is the blue cornflower. It looks like a print of an old botanic book:

    Cornflower X-ray fusion photo © Julian Köpke

    The next day I turned my attention to our white and blue Aquilegias. No chance to process the raw data yesterday. Eventually, there was a chance today, after quite a bit of tedious work at my desk:

    Blue aquilegia X-ray fusion photo © Julian Köpke
  • X-Ray

    Gradients and X-ray tubes

    Fusion imaging is a method full of surprise. My red calla lilies revealed an effect I had forgotten completely. There must be a gradient in every X-ray exposure.

    Preparing a fusion image composition with my 6 red calla lilies I found a troublesome gradient in the X-ray. 

    Gradient in an X-ray of 6 red calla lilies © Julian Köpke

    The cause for the gradient is a weakening of X-ray radiation at its origin in the X-ray tube. A closer look at the phenomenon can be found in my FAQ. This effect of variable recording of photons phycisists call „anode heel effect“.

    As part of my creative process I rotated the composition shown above by 180 degrees and exposed it a second time with the same parameters. Note that post-production as well was done equally for both X-ray exposures !

    Gradient in an X-ray of 6 red calla lilies, inverted for creative reasons © Julian Köpke
  • X-Ray

    Effect of photon energy on X-ray images

    I assume that everyone has had at some point the experience where less was more. Especially when dealing with computer based image postproduction. Software makes handy wonderful, or better: powerful, filters. Experienced artists know that only a pinch of something or homeopathy is a key to better results.

    The same holds true in X-ray production. A maximum of energy does not provide better images. Let’s look closer at this point.

    What is the influence of energy to X-ray images ?

    Higher energies in X-rays mean shorter wavelengths and a higher resolution. Therefore it might seem reasonable to increase the energy in our X-ray tubes always to the maximum to produce incredible images based on a maximum resolution.

    With four images below I show the influence of increased energy levels on X-ray images of a single rose. The applied energy levels are 40kV, 60kV, 90kV and 109kV. The steps of postproduction were the same in every image. Slight differences are owed to best contrast in each exposure.

    Surprisingly to the novice we get an increasing loss of contrast (or less available contrast) in each image with higher energies. This effect of loosing contrast can easily be seen in this series of four X-rays and is highest at 109kV.

    Rose digital X-ray photo at 40kV © Julian Köpke
    Rose digital X-ray photo at 90kV © Julian Köpke
    Rose digital X-ray photo at 60kV © Julian Köpke
    Rose digital X-ray photo at 109kV © Julian Köpke

    The explanation for less available contrast with higher energies is the following physical effect: the more photons have shorter wavelengths the more photons run unaffected through the object down onto the sensor. With all photons running through without any hindrance the sensor would show a homogenous gray value.

    Every structure looses contrast when turning to higher energies. The optimum for a structure is found by experience and varies significantly.

    In the medical field the applied energy strongly depends on the purpose of the examination and the structural demands to be diagnosed.

    The above demonstrated meaningless low contrast for our single rose at 109kV doesn’t hold true at all in radiology. Radiologists use frequently 125kV for a chest film to get reproducibly valuable contrast in most patients.