On Sunday we met with friends to walk in the castle gardens of Schwetzingen, especially to the cherry garden of the mosque, because the cherry trees are starting to blossom. Weak intermittent clouds created a diffuse light in the park with warm intermediate tones. The well-designed baroque grounds everywhere show the joy of technical possibilities to expand – or even deceive – the human horizon of experience.
There is a small section in the park with a trompe l’oueil designed to make infinity tangible. In summer, ivy grows along the tunnel-shaped lattice to create a tube view.
When photographing the following avenue of trees at the edge of the mosque, it was of course clear that the perspective should give the impression of a long path. I tried 2 days later to increase this effect by repeating the image in the picture, which can easily be done with digital photography and post-processing. After the second repetition, I think the eye is very well deceived and no longer perceives a real end.
Compare to the original here.
The Königstuhl in Heidelberg is a popular destination at any time of year and in almost any weather. It can be reached via many routes on foot or by bicycle, by car, by bus or by mountain cable car.
The first plans for a transport system were made in 1873 as a rack railway. Two years later, agreement was reached on a cable car, which was completed in 1889. It reached the castle and a viewing hotel higher up, but not the Königstuhl. It was not until 1907 that the Königstuhl mountain station was completed, which made it possible to travel all the way to the top with a change at the level of the lookout hotel. The difference in altitude to the valley station is 436m.
The building of the mountain station is a mixture of half-timbered house and the same red red sandstone as town houses in the city or the castle, which originates from the area. A flat is included above the operating level.
The noise of the valley does not penetrate up here. The snow provides further reassurance. The house stands here as if fallen out of time. Only the weather station on the roof and the flagpoles on the right indicate modern times.
The position of my photograph was on an icy footpath with icy steps. I didn’t fall, but I was standing very unsteadily. The shot nevertheless radiates a lot of calm, the house in warm tones, the landscape wintry cold.
Heidelberg Castle is a landmark. In winter its red color becomes softer. For one winter Frederick V. became king with his home in this castle. After that, Germany sank into the 30 Years War. The castle had been ruined already by fire a couple of years before.
The delicacy and dreaminess of a photo is not always the result of intensive digital processing. The ranuncula of the following image hardly needed editing. You can feel it. With a tripod and a 85mm Lensbaby velvet at f/16 I shot this image with really delicate color.
The lavish feast is over. Paradise is no more. The king went into exile. We’re staying.
It is a nice experience to walk the same path under changing light conditions at daily distance. In winter there is not much botanically happening, only the snow can be more or less – or the fog. The possibilities of imaging with a camera essentially change with the extent of the available light. A sunny day shows a maximum of available light.
Does sunlight make a picture atmospheric ? With cloudy skies or even some fog, the conditions for background and foreground change substantially and pictures without sunlight can be be very varied and gain a special depth of expression.
The above image shows: shadows during a day with a blue sky are blue, too.
The detection of expressive light situations without a tripod and without HDR technology requires a limited amount of light that the sensor can still process with out blown-out lights or drown depths.
This year we spent 5 weeks of our holiday involuntarily in Heidelberg. with the light of a late winter afternoon just before the winter solstice and some mist in the air, dreamlike impressions arise. We didn’t have to cover a long distance. In the hills above the town there is a plateau within walking distance with a farm, commemorative cemetery and a forest all around. Had it not been tor the photo equipment, we would have really been on foot up the mountain.
Going closer to the fence that surrounds the dairy cattle, you will see straight into the foggy valley. No roofs, no industry, no highway, no noise. Just a wooden house in the forest like in a fairy tale. The colors blur into a monochrome something.
Perhabs we feel invited to sit by a bench in the woods. When the seat is dry really ….
At the end of the short walk we step on a Tori, which in the backlight shows us the lightness of Japanese beauty.It is probably to be assigned to the Heidelberg twin town Kumamoto on the southern most Japanese island Kyushu.
We are the end of a year with unexpected restrictions and new dangers. A walk with friends out in the forest with their dog with a lot of distance between them feels uncomfortable. Time puts its stamp on you wether you want it or not. The feeling of an unstoppable acceleration is spreading.
There is a well where the dog finds some fresh water. Behind the well broken stones and an old tree.
There are less and less leaves on the trees, so that the forest becomes more and more monotous. A few trees and bushes still have yellow, green and even some red leaves. These splashes of colors are are transformed by deliberate camera movement into areas of color and luminous islands that cheer up.
The Old Bridge in Heidelberg has the same attraction to visitors as the Charles Bridge in Prague or th Bridge to the Castel Sant’Angelo in Rome. Not everyone that the connective building between the two white towers houses an apartment. You come to the bridge early in the morning, you’re almost alone. This lonelyness is especially emphasized by a single walker.
The morning calm is reinforced by the fog. Even the car traffic is not so loud as usual. Maybe the noise will decrease even more with electric cars. That would do us good. The view form the bridge downstream shows ships tied up on the shore. Only a few rowers are on the river with trainers whose voices hardly penetrate.
The castle exercises the rule over the city. The strong contrast of the castle ruins over the roofs off the Old Town on the river bank is attenuated by the morning mist.
the Heidelberg Castle is world-famous and famous for the romantic feelings it triggers. Anyone who comes to the city in spring or early summer enjoys a mild warmth and a light wind that flows through the Neckar Valley.
In autumn, the winds that hits the photographer is icy cold and the facial masks that you have recently at hand are a welcome support in taking pictures. The warm colors of the following photographs deceive one of them.
The warmth of the Neckar gives rise to considerable early mist during a cold night, which stretches over the trees to the south and west. The mists also reach the Heidelberg Castle, which subsequently appears a little more romantic and ruined.
In our vicinity there is a quarry that shone over to us in the afternoon with its warm colors. Loading the car with the heavy photo equipment, I drove there to try a few shots. The grounds were not as welcoming a I had imagined. Concrete paths and many closed gates that hindered a free study of light conditions. A remarkable amount of people on the road, often with dogs.
The quarry named Referenz was used to mine for quartz porphyry, a red stone similar to granite, either used for road construction or e.g. statues. One rock formation was outstanding, with trees on it and a warm and yellow surface.
On a mountain north of river Neckar through Heidelberg that was used spiritually by different subsequent cultures, there is a ruin of the monastery St. Stephan, with an arch that has probably bee reconstructed. It was already pretty dark when I got there. For the following shot it took me 2 minutes exposure time and 2 more minutes for noise reduction. You don’t see it.
The Heidelberg Castle is always a great sight. It was almost too late to find a balance between the decreasing daylight and the electrical illumination. Nevertheless, with a single 90s shot at ISO 400and f/8, the basis for this image, which is a kind of negative, was achieved. The dark Heidelberg Castle dominates the scene.