A lot of things are falling apart these days. We feel how fragile we are. How do you show fragility in a picture ?
Entering the Rijksmuseum in Amsterdam, a new, modern entrance area has been created. Light and shadow in rapid succession through concrete door arches.
The arches are unadorned, yet the eye clings to them. Despite – or due to ? – the simple concept, every perspective offers a new impression.
A still life painting (not „life style“) may be irritating by its compositional elements, like objects at the edge of a table top. Just these elements evokes a feeling of fragility. The next image is a photograph I made in the museum without tripod as indicated. The painting by Willem Claeszoon Heda was about 1635. It is a Vanitas theme, 13 years before the end of a 80 years long war in Netherlands, the end coinciding with the 30 years long war in Germany 1648.
The eye is easily deceived. Especially when working at a screen. Early printing, starting with low contrast, simultaneous editing of several images, pausing is part of Charles („Charly“) Cramers recipes. The necessary development times in the analogue laboratory, not least the drying process, always forced the photographer to interrupt. Brain always takes some time to understand.
And he gave strong arguments against the prejudice, analog photography meant no image manipulation. In contrary, every image processing has always been manipulation.
This day ended up with 100 GB of RAW image data. Work for a year to process them. With some winds below Bridal Veil Fall there was a movement of the camera that can be seen.
So often I had good photo opportunities at Valley View. So it was today. A golden light from the setting sun shone for us, lit some bushes and warmed up the rocks.
The rise of a full moon took place at sunset. Only with a 9 EV HDR the light could be captured. It was a wonderful evening. Only hunger could us make driving back to our lodge.