• Heidelberg,  Landscape

    Winter in Heidelberg

    The Königstuhl in Heidelberg is a popular destination at any time of year and in almost any weather. It can be reached via many routes on foot or by bicycle, by car, by bus or by mountain cable car. 

    The first plans for a transport system were made in 1873 as a rack railway. Two years later, agreement was reached on a cable car, which was completed in 1889. It reached the castle and a viewing hotel higher up, but not the Königstuhl. It was not until 1907 that the Königstuhl mountain station was completed, which made it possible to travel all the way to the top with a change at the level of the lookout hotel. The difference in altitude to the valley station is 436m.

    The building of the mountain station is a mixture of half-timbered house and the same red red sandstone as town houses in the city or the castle, which originates from the area. A flat is included above the operating level.

    The noise of the valley does not penetrate up here. The snow provides further reassurance. The house stands here as if fallen out of time. Only the weather station on the roof and the flagpoles on the right indicate modern times.

    The position of my photograph was on an icy footpath with icy steps. I didn’t fall, but I was standing very unsteadily. The shot nevertheless radiates a lot of calm, the house in warm tones, the landscape wintry cold.

    Königstuhl cable car top station © Julian Köpke
    Mountain top station cable car Heidelberg Königstuhl © Julian Köpke
  • General,  Heidelberg,  Landscape,  reflection

    Snow and sunshine

    It is a nice experience to walk the same path under changing light conditions at daily distance. In winter there is not much botanically happening, only the snow can be more or less – or the fog. The possibilities of imaging with a camera essentially change with the extent of the available light. A sunny day shows a maximum of available light.

    Does sunlight make a picture atmospheric ? With cloudy skies or even some fog, the conditions for background and foreground change substantially and pictures without sunlight can be be very varied and gain a special depth of expression.

    Sunlit snowy branches © Julian Köpke

    The above image shows: shadows during a day with a blue sky are blue, too.

    The detection of expressive light situations without a tripod and without HDR technology requires a limited amount of light that the sensor can still process with out blown-out lights or drown depths.

    Snowfall in the clearing © Julian Köpke
    Winter walk in the snowy forest © Julian Köpke