The darkroom was the centre of analogue photography. In a darkroom were created the copies of a picture on photo paper, which had been planned when shooting with camera and film.
The “digital darkroom” is in a way the continuation of the darkroom from analogue times. Nowadays, the role of the film is taken over by the RAW image. The development of the film was linked to chemistry, intentional light and shadow effects and fine feeling. Each print was unique.
The “digital development” or postprocessing is non-destructive, repeatable and delivers a result, which at least theoretically can be printed as often as desired. In the digital workflow no print is unique anymore.
With a dark background and systematic shading of daylight, my photo studio became a darkroom where I could photograph flowers. Exposure times became longer, almost like a long-term exposure at night outside. The saturation of the colors came out surprisingly strong.
The creation of a floating cloud with the help of white tulle did not require shading to achieve the effect of a darkroom. As my friend Lorenz mentioned, looking closer you can see nice interference patterns (Newtonian rings). I’m happy with this image idea: the image got two days later a Flickr in explore.
The soft variations of light and shadow fit well to a soft vetch.
Today was a day of dense work and many technical problems. The day before I had made some flower arrangements for Christmas from my preferred flower dealer. A technician took me some X-rays so I could study the exposure values when my wirk was finished.
The following two I liked most.
The vase on the right side seems to hover over the ground.