How I would love to spend a night in this place: as relentlessly as the sun burns down on us during the day, the starry sky at night is so wonderfully clear and bright in this Namibian place. As an ordinary tourist, you have no chance of being allowed to stay in this part of Sossusvlei before sunrise or after sunset. You arrive in groups after sunrise, in large jeeps through the gates of the national park. After arriving at the Deadvlei dunes at around 9 o’clock, only a few slopes are still in the shade for a short time. These moments are precious and last only a short time.
You have to be quick, follow your intuition, and try it out. The terrain is extremely attractive. The photographers in a group immediately spread out across the plain, as you can easily see in the picture. There are groups of trees, occasionally pairs or single trees, as here. You can’t stand it in the heat for longer than two hours. Afterwards, we had a late breakfast before returning to the hotel and leaving the national park.
The background consists of a band of blue sky without clouds, orange-red sand dunes and the yellowish-white soil of the dried-up riverbed. Rarely does a river die in this depression after a downpour. A long time ago, as evidenced by the dead trees, there was even more moisture here.
I took the picture with my Leica Q without a tripod. This camera has a fixed focal length of 28mm. At f/8 and ISO 200, the exposure time was 1/250s. What was important to me was the completeness of the shadow cast by my lonely tree in the foreground. You can find some of my images published on Landscape Photography Magazine.
On Sunday we met with friends to walk in the castle gardens of Schwetzingen, especially to the cherry garden of the mosque, because the cherry trees are starting to blossom. Weak intermittent clouds created a diffuse light in the park with warm intermediate tones. The well-designed baroque grounds everywhere show the joy of technical possibilities to expand – or even deceive – the human horizon of experience.
There is a small section in the park with a trompe l’oueil designed to make infinity tangible. In summer, ivy grows along the tunnel-shaped lattice to create a tube view.
When photographing the following avenue of trees at the edge of the mosque, it was of course clear that the perspective should give the impression of a long path. I tried 2 days later to increase this effect by repeating the image in the picture, which can easily be done with digital photography and post-processing. After the second repetition, I think the eye is very well deceived and no longer perceives a real end.
A picture I like turns my gaze inwards and I stop staring at it. It is not possible for me to give the reason why I avert my gaze. For it is no longer my eyes that look.
Is it a spell ? Has a string of my existence been made to vibrate ? Is it a vortex that draws me into its depths ?
The simple shot of a farm in the Black Forest can take on the attractiveness of a shot from the early days of photography by processing the lighting conditions. Immediately, the antennas on the roofs of the farm look like evidence of a long past, although they can be no more than 50 years old.
The first day of the new year ended at the little church of Maria Lindenberg with a warm sunshine that almost protectively enveloped the promenaders. The gaze inwards is lost in the apparent aimlessness of the walking movement.
The forest area, which takes its name from the effect its conifers have on the viewer, has not always been a Black Forest. The visitor becomes smaller to tiny when the fog makes the forest even more impenetrable.
The farm was named after an Ignaz, locally always with the associated diminutive Nazi, but this designation has since been banned from the signs as unacceptable.